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Can a fiction be truth? That's the heady question behind the great Abbas Kiarostami's "Certified Copy," in which an antiques dealer (Juliette Binoche) and a writer (William Shimell) debate the essence of authenticity in art and what, exactly, constitutes a reproduction (perhaps everything). The film has its own metamorphosis of sorts too as the nature of even their relationship becomes amorphous and obscured when a farce about the two being married ends up becoming very real. It was an audacious and provocative film to kick off a decade of cinema and while the answers remain elusive, the experience and ideas are those that nine-plus years on have continued to provoke. — Bahr